Elbow Questions
Summary
In his
article “Voice in Writing Again: Embracing Contraries” Peter Elbow attempts to
advocate voice as a crucial and universally individualistic piece of the
writing process. He argues that employing strong, sincere voice while writing
will improve you as a writer drastically and that this should not be
overlooked. Detractors and skeptics of voice suggest that voice is far too hard
to display with sincerity. Even if there is voice in a piece, it is not the
author’s true and honest one, they argue. Elbow argues that the goal of
teaching writing is to develop the self, and not the writer. By becoming a
better person, your writing becomes better as well.
Synthesis
This
article also reminds me of Greene’s theory of argument. With this idea of
voice, and that it is idiosyncratic and different for every writer, I’m
reminded of the listener sitting in the corner of the parlor, eventually
graduating to the role of participant in the argument he’s been listening to so
intently. He’ll bring a fresh perspective to the conversation, and he’ll
present that perspective in a voice all his own. His ideas may share
similarities with some of his peers, but the way he’ll convey these ideas will
be different from everyone else in the room.
Pre-Reading
Option 2: If I
were permitted to write in first person for an academic assignment, I’d
probably reach completion more quickly than if I were writing in third person.
I’d be less concerned with the framing of each sentence, because writing in
first person comes a lot more naturally than the removed, calculated third
person format. It’d be easier to get my thoughts across in the way that they
come to me originally, instead of having them, shaping them into a third person
mold, and then constructing them textually.
Questions for Discussion and Journaling
1) I define
voice as the personal tinge, the subtle suggestion of individual opinion as a
writer details the facts and happenings going on in his piece. In the past,
I’ve encountered definitions of voice that basically touch on the same ideas as
my definition. The common idea being that voice is the personal integrating
with the concrete in order to form an intriguing, convincing and factually
accurate argument. Elbow’s definition contains this idea as well.
2) I believe
that there are different types of infographics. Maps, for example, aren’t
particularly personal. They simply display the location of things and how to
get there. However, they can be personal, or contain personal agendas, if they
are maps for business commodities, such as malls or multi-story buildings. They
could lead you to parts of the store that have very high sales. I don’t agree
with Elbow’s statement. Voice should be an integral part of the class, and
should be practiced heavily.
Applying and Exploring Ideas
1) Sincerity is
the complete and undeniable clarity of one’s intentions or feelings.
Resonance
is the unadulterated way you feel about something, the sincere emotional affect
something has on you, free of tampering or cloaked appreciation.
2) When reading
a piece of writing, tone has to be paid more attention to simply because you’re
doing all the work: both reading and interpreting. Interpreting what’s being
said and HOW it’s being said. When you listen to a piece of writing, you’re
free to interpret more easily and thoughtfully. This is partly because tone is
conveyed more easily when audible. There are cues in the voice of the reader
that let you know how to feel. I feel that it is a tool one should implement
when comprehending a piece of writing. Thinking about it, this argument for
reading aloud advocates the medium of film, where tone is conveyed instantly,
simply due to its audible and visual components.
Meta Moment
I think
that voice must be subtle. It has to be an undercurrent. If the voice in a
piece is overly-present or too loud, it can distract the reader, and think that
he’s reading someone’s opinion and their opinion only. This could lead to the reader
being in a state of skepticism, even when reading cold, hard facts.
Personal Opinion
The article
was interesting to me because voice is something I need to read more about. For
what I wish to do with my future, creating a voice that is strong and identifiable
is essential. So reading these different opinions of voice proved to be quite
helpful. That being said, I know this will come off as a little confusing,
given what I just said immediately before this acknowledgement of my
contradictory opinion, but this article also suffered from length. Maybe it’s
just me, but these articles certainly seem to drone on as page after page is
turned.
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